A Synesthete Sees Loom
Animation A Synesthete Sees Loom: Ann LePore’s visualization of Geri Hahn’s Experience with Max Waves’ score Loom, presented at Artecitta VII, University of Granada, Spain.
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FOOD STORE(Y)
he purpose of Food Store(y) is to bolster civil society via camaraderie and communication. Imagine a free app like Tinder-for-bartering with a focus on exchanging food for stories and vice -versa. We want participants to get closer to neighbors instead of feeling more isolated- and all by facilitating the exchange of stories (personal, journalistic, historical) for food.
Amulets for Introverts
Amulets For Introverts are single egg-shaped objects each made by machine, hand, and nature – all designed to give shy people social super powers. Some of them even include smaller objects trapped inside: freshwater pearls, seeds and even the artist’s own baby teeth.
Rare Object Hologram
3D animated holographic illusions display the results of interviews conducted on the sidewalks of Newark. Part of Case Studies, on view at Gallery Aferro, Curated by Evonne M. Davis.
Forbidden Views
The cutouts are in place of questions that will not be answered.
Reconstructed History
At a panel discussion for the Taplin Gallery exhibition Reconstructed History a unique conversation occurred focusing on decommissioned spaces and objects, the transferred gaze, layers, landscape interiors as mental spaces and site-specific social history. Basically, all of my favorite things. Read more
ArtBloc: Upward Mobility
Shipping Container Multi-Projection Mapping Project 2013
The Greening 209
The Greening: 209 evokes different moments in time: present, future, and past. In the U.S. a house or other building may last a generation or more. The systems we design to guide us as a society outlive us all, though they are not permanent either. How do we know if the structures we put in place are working? How long does the long view need to be if we are going to plan accordingly? It’s time to remodel.
Picturing the Garden State
Meadowlands Pollution Maps Exhibited at Gallery Bergen as part of Picturing the Garden State