Encounter, Amends
In two dimly lit cells directly across from each other, a luminous projection of a life-sized figure is combined with spoken words to create a dialog between an offender and a victim in an attempt to heal the wounds caused by crime.
We intend to create a dialog between an offender and a victim touching on the stages of restorative justice, the first two of which are Encounter and Ammends. Encounter creates opportunities for the victim, the offender, and community members, to meet to discuss the crime and its aftermath. Ammends involves the expectation of offenders to take steps to repair the harm they have caused.

This project consists of an audio-visual installation utilizing two Plexiglas curved screens, each approximately three feet across, two video projectors and two DVDs. “Talking head” silhouettes of an offender and a crime victims will appear to float in the air, each inside of a cell. The figure will be rear-projected onto the screen which has small speakers at ear-height on either side of the screen.

Designed by Anibal Pella-Woo and Ann LePore, this collaborative project is an audio-visual installation for the Weehawken Water Tower. The Weehawken Water Tower stands to become one of the identifying visual landmarks of this diverse, dynamic and rapidly changing region. Utilizing a number of video projectors, images of slowly rising and falling water will be rear projected from the inside of the building on to a number of its windows on all four sides of the building. We feel it is conceptually important to create this effect mechanically in order to further reflect on the history of the building and the mechanical pumps originally used within it.

We have created a self- contained “Water projection system” which consists of optical elements and a water tank that automatically fills and empties and acts as a giant slide The image of the rising and falling water would then be transferred to video for digital processing and projection. The images themselves will be visible from outside of the building to passersby. In addition, the light from these projections will be visible from much further away. The choice of image is meant to reflect on the original function of the building, and thereby comment on its history in relation to its geographical location.

Site Specific Installation
Rear-projected video and 2 channel sound

At Taliesin, Frank Lloyd Wright’s home and architecture school, I worked with architecture students to create maps from memory. I created a route: a straight line between two points of significance: one of aesthetic value on the Taliesin grounds and one of social importance in the neighboring community of Spring Green.
From this came a video which would be an extension of the idea of outreach. Interviews with area residents, architecture students and even some of Frank Lloyd Wright’s contemporaries and family members determined which views and sites were selected for the installation.

The end result was a rear projection installation which used the largest window in Mr. Wright’s home on the crest of a large hill. Looking at his home, and facing North toward the small town of Spring Green, members of of both communities came together to watch the steady advance through the landscape (and even through the very building that hosted the projection), until finally, they were transported from Taliesin to the center of Spring Green.